Week 1 : February 23 - March 1
This week I was given the brief for the fmp and I spent the first few days thinking over multiple ideas and deciding on one that would serve me for 13 weeks. I decided to focus on the concept of change, shown through nature as this project stretches across the transition of winter to spring, giving me the environmental opportunity to capture it. Initially the idea was simple however after further development I dove deeper into the idea of change and decided to explore what change actually is and what we mean by the word. Is something changing if it is following a natural process? Does it change if it is expected and familiar? Which changes are we surrounded by all the time and consequently blind to?
I felt drawn to exploring this idea because my life has changed a lot recently but in small ways that are hard to name as they aren't big changes such as moving house or leaving a relationship, they are smaller, more unnoticeable but still there. The same thing happens in nature, countless small changes are what allows us to have different seasons, they don't change overnight or all at the same time and therefore it becomes more unnoticeable because it's gradual. My intentions are to capture the small moments that we all don't pay much attention to. Additionally, these changes are all unique and original, they never happen the same way again, and so in doing this I want to capture impermanent moments and make them permanent in photographs.
This work will hopefully allow people to pay more attention to things they usually subconsciously ignore and also appreciate the small changes in nature that make the continuation of it possible. Linking to this, a big exploration in this project is showing change as a continuation instead of a disruption.
After solidifying my idea, I spent the week making mood boards and mind maps and initial written ideas to strengthen my idea and explore it deeper, getting inspiration from images similar to the ones I have in my head and annotating them with the specific details that i like about them and want to achieve in my own.
Next week I plan to do my first photoshoot after I have found and looked into multiple artists for inspiration, starting broad on big noticeable changes to allow a natural development into smaller more nuanced moments as my own perspective grows simultaneously.
Week 2 : March 2 - March 8
I spent this week researching multiple artists in depth such as Susan Derges and Andy Goldsworthy whose work both have strong conceptual links to my project with their ideas of collaborating with nature to represent its impermanence. I also looked into the concept of the 12 week year theory which suggests 12 weeks is enough time for real visible change to occur which is something I wanted to explore as that is the length of this project.
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I'm yet to do a photoshoot, despite planning to do one sometime during week 2, I spent my time on detailed research to have a strong foundation to the project and a strong concept and plan behind any future shoots. With researching multiple different conceptual artists, I now have varied inspiration which I can develop into my own work and style.
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I have created my first photoshoot plan which I intend to carry out next week depending on each day's weather which I will continually check as ideally I am wanting to use the sun as natural lighting and would like it to be shining. The photoshoot will be a first ideas based one, testing out what works and what doesn't, what i'm drawn to capturing/ what initially goes under my radar, and which elements and techniques carry my idea best.
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I also did some peer evaluation and received feedback on my work which is linked below and will be implementing the suggestions such as Harvard referencing.
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I feel good about this project so far, I am taking my time to make sure each piece of work I do is to a high standard and that i'm not rushing into anything.
Week 3 : March 9 - March 15
I did my first photoshoot for this project on Wednesday of this week where I went out and tested what stood out to me/ what initially didn't - seeing